Der Horatier - Chien Romain - Roman Dogs (3 audio plays)
based upon texts by Titus Livius, Pierre Corneille, William Faulkner, Heiner Mueller
SWF, SFB, WDR
premiere: Baden-Baden 1995; 40', 35', 30'
* Radio Ostankino-Preis,* Prix Italia 1996

Die Befreiung des Prometheus (audio play in 9 images)
based upon texts by Heiner Mueller
premiere: HR, Frankfurt, 45'
* Hörspielpreis der Kriegsblinden, * Prix Italia

Die Befreiung des Prometheus (live audio play concert version)
following a text by Heiner Mueller
with Ernst Stoetzner, David Moss and Heiner Goebbels
premiere: SWR, 2002, 45'

Die Wiederholung (live audio play)
based upon motifs by Kierkegaard, Robbe-Grillet & Prince
TAT radio version SWR
* audio play of the year

Eislermaterial (audio play/radio edit)
with the Ensemble Modern and Joseph Bierbichler
SWR

Hashirigaki

radio performance after words by Gertrude Stein
and Songs by the Beach Boys
with Carlotta Engelkes,Maire, Goyette and Yumiko Tanaka
SWR/HR 2004

Oder die glücklose Landung (live audio play)
premiere: SWR Freiburg

Schliemanns Radio (audio play)
HR Frankfurt
premiere: Frankfurt 1992; 75'
* Karl Sczuka Preis 1992, * Prix Italia 1992

Schliemanns Radio (audio play, short version)
premiere: Parma 1992; 55'

Schwarz auf Weiss (audio play/radio edit)
with the Ensemble Modern
SWR

Shadow/Landscape with Argonauts (audio play)
based upon texts by Edgar Allen Poe and Heiner Mueller
for female voice, git, dr, cl, keyboards a.o.
premiere: Boston 1990; 85'

Shadow/Landscape with Argonauts (CD version)
based upon texts by Edgar Allen Poe and Heiner Mueller
premiere: Baden-Baden 1992; 55'

Shadow/Landscape with Argonauts (synchronized version)
based upon texts by Edgar Allen Poe and Heiner Mueller
premiere: SWF, Baden-Baden 1992; 55'

Verkommenes Ufer (audio play)
text: Heiner Mueller
premiere: HR, Frankfurt 1984; 19'
* Karl Sczuka Preis

Wolokolamsker Chaussee I-V (audio plays)
based upon texts by Heiner Mueller
together with Megalomaniax und We Wear The Crown
premiere: SWF, BR, Berlin 1989; 75'
* Karl Sczuka Preis 1990, * Prix Futura 1990, * Hörspielpreis der Akademie der Künste 1990

Ballet Music

Les Lieux De La (ballet music)
for the Centre Choréographique National de Montpellier, Languedoc-Roussillon
choreography: Mathilde Monnier
with Alexandre Meyer (Daxophon, E-guitar)
35'

Reaching beyond (ballet music)
premiere: Frankfurt
Red Run - 11 songs for 11 instruments (ballett music for ensemble)
published by Ricordi
Choreography: Amanda Miller, Ballet Frankfurt
premiere: Frankfurt 1988; 30'

Red Run - 9 songs for 11 instruments (ballet music, new version)
published by Ricordi
Choreography: Amanda Miller, Ballet Frankfurt
premiere: Frankfurt 1991, 18'

Remix (ballet music)
for the Centre Choréographique National du Havre, Haute-Normandie
choreography: Francois Raffinot
30'

Stein Schere Papier (ballet music)
Choreography: Amanda Miller, Ballet Frankfurt
premiere: Frankfurt , 36'

Thraenen des Vaterlands (concert for dancers)
Ballet Frankfurt
premiere: Frankfurt 1986, 120'

Compositions for Ensemble

Befreiung (concertante scene)
for voice and ensemble (text: Rainald Goetz)
published by Ricordi
premiere: Frankfurt 1989, 14'

Herakles 2 (for 5 brass instruments, dr und sampler)
published by Ricordi
premiere: Paris 1992; 16'

In the Country of last things (ensemble version)
published by Ricordi
premiere: Frankfurt 1994

La Jalousie - sounds from a novel (for ensemble)
published by Ricordi
premiere: Frankfurt 1991; 20'

Samplersuite (ensemble version)
published by Ricordi
premiere: Frankfurt 1994

Scutigeras (for ensemble)
adaptions for Piano Circus (keyboard sextet)
premiere: Oxford

Stadt Land Fluss (for ensemble)
adaptions for saxophone quartet
premiere: Frankfurt (Blindman Quartett)

Surrogate (ensemble version)
published by Ricordi
premiere: Frankfurt 1994

Compositions for Orchestra

Ou bien Sunyatta
for Kora, Vocal and Big Orcehstra
premiere: Bochum 2004 (performed by Bochum Symphonics, Sira and Boubakar Djebate, conductor: Steven Sloane)
Aus einem Tagebuch / From a Diary (for big orchestra: wind, brass, piano, harp, sampler, percussion and contra bases)
short notes for orchestra
premiere: Berlin 2003 (performed by Berlin Philharmonics, conductor: Sir SimonRattle)
Notiz einer Fanfare
premiere: Bochum 2003 (performed by Bochumer Symphonics, conductor:Steven Sloane)
Fureur et Mémoire
premiere March 1999

Industry & Idleness (popular print for orchester)
published by Ricordi
premiere: Donaueschingen 1996 (cond. Peter Eotvos); 19'

Nichts weiter (for big orchestra)
with Gustav Gruendgens' voice
published by Ricordi
premiere: Oldenburg 1996; 12'

Surrogate Cities (for big orchestra, voice, mezzosopran and sampler)
published by Ricordi
premiere: Frankfurt 1994; 90'

• D&C, 11'
• Samplersuite (Sarabande/N-touch, Allemande/Les Ruines, Courante, Gigue, Bourree/Wildcard, Passacaglia, Chaconne/Kantorloops, Menuett/L'ingenieur, Gavotte/N-touch remix, Air), 30'
• Die Faust im Wappen, 7'
• In the Country of Last Things (text: Paul Auster), 5'
• Die Staedte und die Toten 4 -Argia, 4'
• 3 Horatiersongs (based upon texts by Heiner Mueller), 15'
• Surrogate (text: Hugo Hamilton), 7'

Walden (for extended orchestra)
premiere: November 1998 - tour of the Ensemble Modern Orchestra to Hannover, Berlin, Vienna, Paris, Cologne, Frankfurt (conductor: Peter Eotvos)

Compositions (diverse)

An der Donau (opera for actors)
based upon a libretto by Herbert Achternbusch
for small orchestra, e-git, sax, dr, keyboards
premiere: Vienna, 120'

In the Basement (for violin/clarinet/cymbalon and tape), 2'30

In the Basement (version for violine und tape), 4'
from: Schwarz auf Weiss/Black on White
Bagatellen für Violine, oligate Klarinette und Sampler, 16min
UA Groningen by Monica Germino

Music Theatre

Die Wiederholung / The Repetition (music theatre)
based upon motifs by Kierkegaard, Robbe-Grillet & Prince; for p, e-git, sampler and actor
stage and light design: Erich Wonder
costumes: Jasmin Andreae
premiere: Frankfurt 1995; 85'

Eraritjaritjaka - museé des phrases (music theatre)
words by Elias Canetti
with André Wilms and the Mondrian Quartett
light and stage: Klaus Gruenberg
live Video: Bruno Deville
costumes: Florence von Gerkan
sound: Willi Bopp
premiere: Lausanne, 2004

Hashirigaki (music theatre)
with Carlotta Engelkes, Marie Goyette and Yumiko Tanaka
based on texts by Gertrude Stein
light and stage: Klaus Gruenberg
costumes: Florence von Gerkan
sound: Willi Bopp
premiere: Theatre Vidy, Lausanne, September 2000

Landscape with man being killed by a snake ((music) theatre sketch)
for the Documenta X; with Hans Reichel, Bastiaan Maris and Christoph Anders
light and stage: Klaus Gruenberg
premiere: Kassel, September 1997

Landschaft mit entfernten Verwandten / Paysage avec parents éloignés / Landscape with distant relatives (opera)
with the Ensemble Modern, the Choir of the Opera Geneve, the actor David Bennent and the baritone Georg Nigl
premiere: Geneve

Max Black (music theatre)
with the actor André Wilms
based on texts by Paul Valery, Georg Christoph Lichtenberg, Ludwig Wittgenstein and Max Black
light and stage: Klaus Gruenberg
costumes: Jasmin Andreae
premiere: Lausanne, Theatre Vidy, April 1998

Newtons Casino (music theatre)
for countertenor, Greek voice and percussions
premiere: TAT, Frankfurt 1990; 90'
* Pegasus Preis 1992

Ou bien le débarquement désastreux (music theatre)
based upon texts by Joseph Conrad, Heiner Mueller, Francis Ponge
for one actor, kora, singing, trb, git, daxophon and keyboards
together with Boubakar Djebate
premiere: Theatre des Amandiers, Nanterre/Paris, 1993; 75'

Roemische Hunde (music theatre)
for mezzosoprano, tenor, div. voices and sampler
premiere: TAT, Frankfurt 1991; 75'

Schliemann's Scaffolding (music theatre)
with the Greek Theatre group Diplous Eros
premiere: Volos (Greece), September 1997

Schwarz auf Weiss / Black on White (music theatre for ensemble)
published by Ricordi
stage and light: Jean Kalman
costumes: Jasmin Andreae
premiere: Frankfurt 1996; 75'

Stifters Dinge - a performative Installation (Musiktheater)
by Heiner Goebbels,
Light and stage: Klaus Gruenberg , sound: Willi Bopp, programming: Hubert Machnik
Co-produced by Theatre Vidy Lausanne with T&M-Nanterre Paris, Schauspielfrankfurt,
Berliner Festspiele - Spielzeit Europa, Grand Theatre Luxembourg,Teatro Stabile Turino
co-comissioned by artangel, London,

(Sound) Installations

Bauhaus 1 (lottery installation)
together with Mischa Kuball

fin de soleil (das Ende der Sonne) (sound installation)
based on a text by Hubert Reeves
solely using and manipulating the speech recordings
collaboration: Frederic Voisin
IRCAM/Centre Pompidou

timeios (ein Bild, das wir Zeit nennen) (sound installation in 5 languages)
based on Platon's "timeios"
solely using and manipulating the speech recordings
collaboration: Frederic Voisin
IRCAM/Centre Pompidou

Soundtracks (Film/Video/Performance)

Alles Vergessene schreit im Traum um Hilfe (TV soundtrack)
WDR

Das Packeis Syndrom (soundtrack)
director: Peter Krieg

Das Verschwinden des Ettore Majorana (soundtrack)
WDR

Der Beginn aller Schrecken ist die Liebe (TV soundtrack)
director: Helke Sander
ZDF

Der subjektive Faktor (TV soundtrack)
director: Helke Sander
ZDF

Die Familie oder Schroffenstein (TV soundtrack)
director: Hans Neuenfels
ZDF

Die Hamletmaschine (soundtrack)
video director: Peter Henning

Die Hermannschlacht (soundtrack)
director: Claus Peymann
ZDF

Ecstazoo (Soundtrack)
for animated video by Gil Alkabetz
MTV, 30''

Edvige Scimitt (soundtrack)
ZDF

Heinrich Penthesilea von Kleist (TV soundtrack)
director: Hans Neuenfels
ZDF

J.K. - Erfahrungen im Umgang mit dem Eigene Ich (soundtrack)
director: Gebrüder Dubini

Ludwig 1881 (soundtrack)
director: Gebrüder Dubini

Maelstromsuedpol (soundtrack)
for a performance together with Heiner Mueller and Erich Wonder
premiere: Documenta 8, Kassel 1987; 30'

Maelstromsuedpol (new version)
premiere: ars electronica, Linz 1988; Berlin 1988; 30'

Pfingsten (soundtrack)
for a video by Norbert Meissner, 7'

Scratch (soundtrack)
directors: Heiner Goebbels and Erich Wonder
premiere: Schauspielhaus, Duesseldorf, 90'

Schahmatt (music for documentary film)
director: Thomas Giefer

Schauplatz Indien (TV soundtrack)
director: Enzio Edschmid
WDR

Schwärmer (soundtrack)
director: Hans Neuenfels

Sound of freedom (soundtrack)
director: Tom Carlé
ZDF

Was heißtn hier Liebe
director: Bertram Verhaag

Staged Concerts

Der Mann im Fahrstuhl (staged concert)
for voice, git, dr, trb, trp, sax, keyboards
premiere: Artrock Festival, Frankfurt 1987, 75'

Die Befreiung des Prometheus (staged concert)
version for actor and sampler
premiere: Marseille 1991; 45'

Die Befreiung des Prometheus (staged concert)
version for actor, dr and sampler
premiere: Frankfurt 1993; 50'

Eislermaterial (staged concert)
with the Ensemble Modern and the actor Josef Bierbichler
stage and light: Jean Kalman
premiere: Munich, May 1998

Looking upon the wide waste of Liquid Ebony (staged concert)
for ensemble and voices
based upon a text by E.A. Poe
premiere: ars electronica, Linz 1988, 90'

...même soir.- (...am selben Abend.-) (staged concert)
with Les Percussions de Strasbourg
light and stage: Klaus Gruenberg
premiere: Munich, musica viva festival, September 2000

No Arrival No Parking (staged concert)
for the Sound City Ensemble
premiere: London, International Festival of Theatre - L.I.F.T.

Tape Compositions

Berlin Q-damm 12.4.81 (tape composition), 5'05

Die letzte Buche (tape composition), 2'27

So wird der Schrecken ohne Ende langsam normales Leben (tape composition), 3'39

Unruhiges Requiem (tape composition)
text: Walter Mossmann, 20'18

Theatre Music

Absahnierung (theatre music)
director: Heinrich Pachl
premiere: Schauspielhaus, Koeln

Antigone (Hoelderlin, theatre music)
director: Christof Nel
premiere: Frankfurt

Brecht - In den Haenden seiner Erben (theatre music)
premiere: Frankfurt

De val von de goden (Hollandia, theatre music)
Dantons Tod (Buechner, theatre music)
director: Ruth Berghaus
premiere: Thalia Theater, Hamburg 1989; 90'

Das wirkliche Leben des Jakob Geherda (Brecht, theatre music)
premiere: Frankfurt

Der Balkon (Genet, theatre music)
director: Hans Neuenfels
premiere: Schillertheater, Berlin

Der Balkon (Genet, theatre music)
director: Axel Manthey
premiere: Schauspielhaus, Duesseldorf

Die Ausnahme und die Regel (Brecht, theatre music)
premiere: Berlin

Die Hermannschlacht (Kleist, theatre music)
director: Claus Peymann
premiere: Schaupielhaus, Bochum 1983; 30'

Die Reise nach Aschenfeld (Waechter, theatre music)
premiere: Residenztheater, Munich

Die Sintflut (Achternbusch, theatre music)
director: Axel Manthey
premiere: Schauspielhaus, Bochum

Dreigroschenoper (Brecht, theatre music)
director: Alexander Wagner
premiere: Frankfurt

Heimweh (Jung, theatre music)
director: Ernst Stötzner
premiere: Schaubühne, Berlin 1989; 70'

Iphigenie (Goethe, theatre music)
director: Hans Neuenfels
premiere: Frankfurt

Kasimir und Karoline (Horvath, theatre music)
director: Peter Palitzsch
premiere: Frankfurt

Kiebich und Dutz (Waechter, theatre music)
premiere: Frankfurt

Klaus Stoertebeker (theatre music)
director: Christof Nel
premiere: Schauspielhaus, Hamburg

Kleinbuergerhochzeit (Brecht, theatre music)
director: Christof Nel
premiere: Frankfurt

Leben Grundlings Friedrich von Preussen Lessings Schlaf Traum Schrei (Heiner Mueller, theatre music)
director: Horst Laube
premiere: Frankfurt

Maerchen von einem der auszog das Fuerchten zu lernen (Hauff, theatre music)
premiere: Frankfurt

Marie Woyzeck (Buechner, theatre music)
director: Karge/Langhoff
premiere: Schauspielhaus, Bochum 1980

Medeamaterial (theatre music)
together with Maestro Neguinho de Samba (OLODUM)
premiere: Salvador de Bahia 1993; 90'

Oidipus (Sophokles, theatre music)
director: Hans Neuenfels
premiere: Frankfurt

Othello (Shakespeare, theatre music)
director: Peter Palitzsch
premiere: Frankfurt

Penthesilea (Kleist, theatre music)
director: Hans Neuenfels
premiere: Schillertheater, Berlin

Penthesilea (Kleist, theatre music)
director: Ruth Berghaus premiere: Burgtheater, Vienna 1990; 70'

Richard III (Shakespeare, theatre music)
director: Claus Peymann
premiere: Burgtheater, Vienna ; 30'

Spaete Liebe (Ostrowski, theatre music)
premiere: Frankfurt

Totenfloss (Harald Mueller, theatre music)
premiere: Schauspielhaus, Stuttgart

Trommeln in der Nacht (Brecht, theatre music)
director: Karl Kneidl
premiere: Frankfurt

Was heisst hier Liebe (Rote Gruetze, theatre music)
premiere: Berlin

Zufaelliger Tod eines Anarchisten (Fo, theatre music)
premiere: Frankfurt

TV Productions

Eislermaterial (TV film)
with the Ensemble Modern and the actor Josef Bierbichler
stage and light: Jean Kalman
premiere: HR, music viva

Schwarz auf Weiss (film)
BMG-Classics, ZDF, ARTE

Cassiber

Cassiber - 'A Face we all know'
together with Christoph Anders

• This was the way it was (text: Chris Cutler) 0'52
• Remember (text: Chris Cutler) 2'52
• Old Gods (text: Chris Cutler) 0'28
• 2 o'clock in the morning (text: Chris Cutler) 2'36
• Philosophy 1, 2 and 3 (text: Chris Cutler) 0'07, 0'22, 0'32
• Start the show (text: Thomas Pynchon) 3'48
• A screaming comes across the sky (text: Thomas Pynchon) 3'02
• They go in under archways (text: Thomas Pynchon) 3'12
• They have begun to move (text: Thomas Pynchon) 4'12
• Time gets faster (text: Chris Cutler) 3'33
• Its never quiet (text: Chris Cutler/Rainald Goetz) 2'26
• A screaming holds (text: Thomas Pynchon) 1'57
• I was old (text: Chris Cutler) 3'55
• The way it was (text:Chris Cutler) 5'07
• To move, 2'53

• Red Shadow (text: Chris Cutler) 3'50
• Prisoner Chorus/Chor der Gefangenen, 4'51
• Our Colourful Culture (Text: Chris Cutler) 3'05
• O Cure me (Text: J S Bach) 5'54
• This Core (text: Chris Cutler) 4'20
• Not me (Text: Chris Cutler) 3'39
• Man or Monkey, 16'39

• Dust and Ashes (text: Chris Cutler) 2'03
• Crusoes Landing (text: Daniel Defoe) 4'34
• Miraculo (text: Chris Cutler) 4'53
• Prometheus (text: Chris Cutler) 4'51
• Sleep Armed (text: Chris Cutler) 2'15
• In a Room (text: Chris Cutler) 4'56
• Todo dia, 2'35
• Orpheus Mirror, 5'02
• I tried to reach you (Text: Chris Cutler) 1'59

• Six Rays (text: Chris Cutler) , 4'04
• Robert, 4'52
• Last Call (text: Ernst Stoetzner) , 3'01
• Ach heile mich(text: J S Bach) , 6'26
• What, 1'56
• Time is running out, 5'
• Under new Management (text: Chris Cutler) , 5'23
• Vengeance is dancing (text: Chris Cutler) , 2'14
• In einer Minute / Und ich werde nicht mehr sehen (Brecht/Eisler), 2'53
• Prendre la lune avec les dents/ At last I am free (Edwards/Rodgers), 3'29

Goebbels/Harth

All following works together with Alfred Harth

• 1940 (Ich befinde mich auf dem Inselchen Lidingoe) (Text: Bertolt Brecht, for p, ssax, voice), 1981, 3'35
• Abbau des Schiffes Oskawa durch die Mannschaft (text: Bertolt Brecht, for p, tsax, rhythm machine, voice), 1981, 6'26
• Almelo (p, cl), 1980, 5'35
• An die Nachgeborenen, Adresse des sterbenden Dichters an die Jugend (text: Bertolt Brecht, for voice, git, p, syn), 1981, 2'49
• Blitze ueber Moskau (div. instruments, tape), 1984, 4'39
• Borrough's Haiku, 1981, 2'17
• Der Pflaumenbaum(text: Bertolt Brecht, for cembalo, tsax, syn, singing), 1981, 1'38
• Der Ruf der Voegel (p, ssax), 1980, 1'42
• Deutsches Lied (text: Bertolt Brecht, for voice, singing, tape), 1981, 1'26
• Die Ballade vom zerrissenen Rock (p, tsax), 1976, 7'15''
• Die Ballade von der haltbaren Graugans (p, bass, cl), 1976, 7'30''
• Die Pekingoper (p, tsax, div. instruments, tape), 1984, 15'55
• Die Reise nach Aschenfeld (p, git, synthesizer, trb, ssax a.o.), 1984, 5'50
• Die Voegel warten im Winter vor dem Fenster (text: Bertolt Brecht, for p, saxophone, voice a.o.), 1981, 2'54
• Die Wirtshausszene (acc, tsax), 1976, 2'10
• Dunkle Wolk (cembalo, tsax), 1981, 5'11
• Es lebt eine Graefin in schwedischem Land (text: Bertolt Brecht, for cembalo, bcl, singing), 1981, 2'03
• Fugato Spontini (p, s-sax), 1976, 1'17
• Grossvater Stoeffel (p, es-cl), 1976, 4'30
• Ich, Bertolt Brecht (text: Bertolt Brecht, vor p, ssax, voice a.o.), 1981, 1'16
• Indianer for Morgn (tape, saxophone), 1981, 2'18
• Kein Kriegsspielzeug for Jonathan (p, tsax, tape), 1981, 4'11
• Kraehenmusik (acc, bass cl), 1980, 4'24
• Langeweile (p, s-sax), 1976, 1'46
• Legende von der Entstehung des Buches Tao Te King auf dem Wege des Lao Tse in die Emigration (text: Bertolt Brecht, for acc, tsx, voice), 1981, 5'25
• Liebeslied (text: Bertolt Brecht, for div. instruments and voice), 1981, 1'26
• Liedchen aus alter Zeit (text: Bertolt Brecht, for div. instruments and voice), 1981, 0'37
• Los Campesinos (p, tsax), 1980, 6'14
• Morgens und abends zu lesen (text: Bertolt Brecht, for div. instruments and voice), 1981, 0'48
• Paradies und Hoelle (p, tsx, tape) , 1984, 4'53
• Rezitativ (organ, tsax), 1980, 3'18
• Rock gegen Rechts (p, tsax), 1980, 4'17
• Schwaechen (text: Bertolt Brecht, for vc, syn, ssax, singing), 1981, 1'12
• Sieg im Volkslied (acc, tsax), 1976, 3'20
• Sonett (text: Bertolt Brecht, for git, bcl, voice a.o.), 1981, 1'25
• Spui ma wieda oan, dass d'Zeit vergeht (acc, tsax), 1976, 1'32
• Stell dir vor du bist ein Delphin (p, tsax, a.o.), 1984, 4'52
• Tagesanbruch (text: Bertolt Brecht, vor organ, bass cl, voice a.o.), 1981, 4'28
• Vom Sprengen des Gartens (p, s-sax), 1980, 5'35
• Vom Sprengen des Gartens III (p, tsax), 1980, 3'33
• Vorwaerts (p, tsax), 1976, 5'51
• Watch out, 1984, 1'
• Wenn der Pfoertner kommt (p, tsax), 1980, 3'05
• Zur Überwindung von Schwierigkeiten (p, tsax), 1976, 6'40
• Zyklus ueber den modernen Mensch (synthesizer, p, div. saxes) (1981)
  • Der stuerzende Mensch, 3'40
  • Der lachende und der weinende Mensch, 1'46
  • Der durchdrungene Mensch, 3'36
  • Der reibungslose Mensch, 3'11
  • Der kommunistische Mensch, 4'15
  • Der redende und der schweigende Mensch, 2'56

Sogenanntes Linksradikales Blasorchester

Trotz alledem (for Blasorchester), 3'42
premiere: Frankfurt 1980

Haelfte des Lebens (text: Hoelderlin, for Blasorchester), 2'31
premiere: Frankfurt 1980

Ohne dass ich sagen wuerde, ich bin der neue Fuehrer (text: Kuehnen, for Blasorchester and voice), 7'46
premiere: Frankfurt 1980

Verstandsaufnahme (text: Erich Fried, for Blasorchester and voice), 3'03
premiere: Frankfurt 1978

Poltergeist (for Blasorchester), 1978, 2'34

Rote Sonne (for Blasorchester)
premiere: Frankfurt 1976

Circa (for Blasorchester)
premiere: Frankfurt 1976

Lied von der Gedankenfreiheit (for Blasorchester)
premiere: Frankfurt 1976

Tagesschau (for Blasorchester)
together with Alfred Harth, Rolf Riehm a.o. premiere: Frankfurt 1976

diverse

Apfelboeck oder die Lilie auf dem Felde
text: Bertolt Brecht
for synthesizer, cl, harmonium, voice, chorus, 3'34

Autobahn, 0'36

Bis bald, Kalypso (for piano solo), 1'33
premiere: Frankfurt

Copy Machine together with Franco Fabbri

Cripta together with Pino Masi

Die Abrazzo-Oper (music theatre)
together with Alfred Harth, Rolf Riehm a.o.
premiere: Ruhrfestspiele, Recklinghausen 1981

Duck & Cover (for vc, tb, git, voc, dr, key, saxes), 60'
together with Fred Frith, Chris Cutler, Alfred Harth a.o.
premiere: Moers

Durch den Wald, 2'46
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

Finta di Nulla together with Umberto Fiori

Knecht U, 1'34
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

Laendliches, 2'05
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

Mahlzeit (text: Ernst Jandl), 2'20

Meinen Eltern, 2'00
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

Nachtstueck
Duo Heiner Goebbels/David Moss
6'40'

Schottendicht, 1'32
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

The Stanislavsky Method together with Chris Cutler

Tilt, 2'12
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

Wer zuhause bleibt, wenn der Kampf beginnt (text: Bertolt Brecht, for p, voice)

Uhu, 1'53
together with Alfred Harth, Christof Anders, Paul Lovens, Annemarie Roelofs

Wertkauf (text: Johannes Beck), 2'18