Heiner Goebbels — Polifonia cênica como política da forma.
Um gesto estético contra a hierarquia da cena e dos sentidos
Abstract: The German multi-artist, composer and theater director Heiner Goebbels is the main object of this text, which, mixing the formats of essay, article and immersive reportage, seeks to analyze part of his artistic career and relate it, with greater emphasis, to one of its most recognized scenic creations, the performative installation Stifter's dinge. Individual interviews and conferences given by Goebbels are among the materials used to the development of the text, which still dialogues with formulations given by Bertolt Brecht, Heiner Müller, Michel Foucault and others.
Luiz Felipe Reis
1 April 2016
Questao de Critica Vol IX n67, abril de 2016
Tradução de Luiz Felipe Reis