09/1989, Josef Woodard, Musician Magazine
Review (en)

Heiner Goebbels/Heiner Müller

The Man in the Elevator

„But Elevator is not so much a showcase for players as it is a new kind of musical theater. Goebbels embraces the spirit of collectivism and genre smashing that Carla Bley embodied with her 1970 epic Escalator Over the Hill. That album was a seed for new music and New York’s downtown scene; this is a hardy, delayed blossom. It comes not five minutes to early.“

p. 96+98.
on: Der Mann im Fahrstuhl (CD)