Futurist complesso plastico motorumoristo and Postdramatic Theatre Sound

Mladen Ovadia (pdf)
Heiner Goebbels, who for years stood at the forefront of exploration of theatre sound, remounted his 2007 Stifters Dinge at the last year’s Ruhrtriennale in Duisburg, Germany. As program notes read, it is a performance and an installation, “a composition for five pianos without pianists, a play without actors, a performance without performers,” [...] “an invitation to the spectators to enter a fascinating space full of sounds and images, a poetic invitation to watch and listen.”

Mladen Ovadija
1 January 2014