I went to the house but did not enter

Staged Concert with the Hilliard Ensemble, 2008
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Jelena Jankovic
© Florence von Gerkan
© Florence von Gerkan
© Florence von Gerkan
© Florence von Gerkan
© Mario del Curto
© Mario del Curto
© Mario del Curto
© Mario del Curto
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Wonge Bergmann
© Florence von Gerkan
© Florence von Gerkan
© Mario del Curto
© Mario del Curto
© Mario del Curto
© Mario del Curto
© Florence von Gerkan
© Florence von Gerkan

Texts by T.S.Eliot, Maurice Blanchot, Franz Kafka and Samuel Beckett

Composition and Direction: Heiner Goebbels
with the Hilliard Ensemble (UK):
Rogers Covey-Crump, David James,Gordon Jones and Steven Harrold
Light and stage: Klaus Grünberg
Costumes: Florence von Gerkan
Sound: Willi Bopp

Produced by Theatre Vidy, Lausanne (Switzerland)
Coproduced by Schauspielfrankfurt, Grand Theatre Luxembourg, Fondazione Teatro Comunale & Auditorium Bolzano, Edinburgh International Festival
Co-comissioned by University North Carolina,Hopkins Center / Dartmouth College (USA)

Publisher: G.RICORDI & Co GmbH, Munich

In the mountains the throats become free! It is a wonder that we don’t burst into song.„ Franz Kafka, Excursion into the Mountains

The title of this staged concert with the world-renowned vocal quartet The Hilliard Ensemble already suggests that not a lot happens. But just that is perhaps one of the secrets of Heiner Goebbels’ music theatre pieces, that they take place without any great spectacle and yet – or possible therefore? – exert a fascinating power. His latest work consists of three separate scenes, each one dedicated to a 20th century text: starting with T.S. Eliot’s well-known poemThe Love Song of J. Alfred Prufrock, continuing with Maurice Blanchot’s Madness of the Dayand finishing with Worstward Ho! probably the most radical text by Samuel Beckett. As different as these texts are, they all have in common the fact that they endow a fragmented, anonymous first person narrator many voices and tones. Their language promises no security, their stories only reveal their often paradoxical meaning when completed by the listener. Maybe the evening is a journey, one which its antiheroic protagonists do not even begin. A journey in three spaces and three times which remain placeless – they are everywhere and nowhere

Files

pdf: Hearing the Silence © Stan Schwartz (en)

Texts

Des voix singulières (fr)
À propos du travail sur "I went to the house but did not enter"
2018, Heiner Goebbels

A Minuscule Ado About Nothing (Review, en)
15 November 2012, ConcertoNet

They Grow Old, Waiting for the Sets to Change (Review, en)
‘I Went to the House but Did Not Enter’ by Heiner Goebbels
14 November 2012, Anthony Tommasini, The New York Times

Hearing the Silence (Review, en)
1 November 2012, Stan Schwartz, Lincoln Center Playbill

Beckett im zeitgenössischen Musiktheater: (Article, de)
Zu Heiner Goebbels’ "I went to the house but did not enter" und Heinz Holligers "Not I"
2012, Friederike Charlotte Landmann

Peculiar Voices (en)
translated by Susanne Winnacker
2011, Heiner Goebbels, The Drama Review

I Went to the House But Did Not Enter (Review, en)
2 May 2010, Anna Picard, The Independent

I went to the House but did not enter (Review, en)
30 April 2010, Andrew Clements, The Guardian

Angst and the over-40s (Review, en)
30 April 2010, Richard Fairman, Financial Times

I Went to the House at the Barbican (Review, en)
30 April 2010, Richard Morrison, The Times

Heiner Goebbels, on staging strange worlds (Interview, en)
26 April 2010, James Woodall, theartsdesk.com

Das Versagen großer Dichter (Review, de)
Heiner Goebbels lässt das Hilliard Ensemble mit Texten von Eliot, Kafka und Beckett spielen.
22 May 2009, Norbert Mayer, Presse

Kritik an zeitgenössischem Vokalstil (Interview, de)
Der Vielseitige bei den Festwochen
20 May 2009, Rainer Elstner, ORF

Finding a dark lyricism in modern ruins (Review, en)
6 April 2009, Jeremy Eichler, The Boston Globe

Elégie théâtrale sublime au coin de la nuit (Review, fr)
A Vidy, le compositeur allemand Heiner Goebbels entraîne les chanteurs du Hilliard Ensemble dans un périple théâtral beau comme un chant de chapelle avec vue sur la rivière
14 March 2009, Alexandre Demidoff, Le Temps

Words move through music on stage (Article, de)
March 2003, James Woodall

Mindestens schwer verzweifelt (de)
Ein Essay über den Umgang mit der Stimme im zeitgenössischen Musiktheater
2009, Heiner Goebbels

Goebbels: «Così cambio l'opera e la libero...» (Review, it)
3 December 2008, Roberto Rinaldi, Alto Adige

Untitled (Interview, it)
3 December 2008, Roberto Rinaldi, Alto Adige

Four Gentlemen in Gray (Review, en)
The Hilliard Ensemble performs a staged concert by Heiner Goebbels
16 November 2008, Nancy Chapple

Kritik zu "I went to the house..." (Review, de)
14 November 2008, Harald Asel, InfoRadio

Theater-Tricks (Review, de)
"I went to the house but did not enter" im Haus der Berliner Festspiele
13 November 2008, Michael Laages, Deutschlandfunk

Die magischen Vier (Review, de)
"I went to the house ...": Heiner Goebbels und das Hilliard Ensemble sind zu Gast bei den Berliner Festspielen.
10 November 2008, Rüdiger Schaper, Der Freitag

La casa di Goebbels (Interview, it)
November 2008, Andrea Ravagnan, Il Giornale della Musica

Interview with Andrea Ravagnan, preparation for an article in "Il Giornale della Musica" (Interview, en)
November 2008, Il Giornale della Musica

Spanish TV documentation on "I went to the House but did not enter" (Feature, es)
October 2008

Alle Zeichen stehen auf Endspiel (Review, de)
Neues Musiktheater-Stück von Heiner Goebbels am Frankfurter Schauspiel
 
Vier Herren mit Hut, das Hilliard-Ensemble, bei der Wohnungsauflösung in Frankfurt
27 September 2008, Volker Milch, Wiesbadener Kurier

Konzert in drei Bildern (Review, de)
Heiner Goebbels' Produktion im Schauspiel Frankfurt
26 September 2008, Elisabeth Risch, Frankfurter Allgemeine Zeitung

Die Tür zum Gebirge (Review, de)
26 September 2008, Hans-Jürgen Linke, Frankfurter Rundschau

Vier Männer in einem Hotelzimmer (Feature, de)
Heiner Goebbels inszeniert ein szenisches Konzert mit dem Hilliard Ensemble (Bericht Kulturzeit)
23 September 2008, 3sat Kulturzeit (TV)

Der Grenzgänger (Portrait, de)
Mein Schreibtisch
13 September 2008, Anita Strecker, Frankfurter Rundschau

Echokammer der Selbstzweifel (Review, de)
Heiner Goebbels‚ theatrale Klangmeditation "I Went to the House, But Did Not Enter" wurde in Edinburgh uraufgeführt
1 September 2008, Alexander Menden, Süddeutsche Zeitung

I went to the house but did not enter (Interview, de)
Interview with Natalia Erice
September 2008, El País

I Went To The House But Did Not Enter, at the Royal Lyceum (Review, en)
The Hilliard Ensemble provided some of the festival's strangest, yet strongest and most resonant, sounds and images
1 September 2008, Donald Hutera, The Times

Sarah Crompton reviews I Went to the House But Did Not Enter at the Royal Lyceum, Edinburgh (Review, en)
1 September 2008, Sarah Crompton, The Telegraph

Theatre review: I went to the house but did not enter (Review, en)
30 August 2008, The Scotsman

I Went To The House But Did Not Enter (Review, en)
Star rating: *****

30 August 2008, Neil Cooper, The Herald

Edinburgh festival: I Went to the House But Did Not Enter (Review, en)
30 August 2008, Andrew Clements, The Guardian

Haus ohne Hüter (Review, de)
Uraufführung von Heiner Goebbels Musiktheater "I went to the house but did not enter"
30 August 2008, Vera Teichmann, Deutschlandfunk

Failure holds the key to success (Review, en)
PROMISES, PROMISES: Heiner Goebbels's large-scale music theatre collage is incredibly creative.
27 August 2008, Neil Cooper, The Herald

Sing-along-a-Kafka (Article, en)
What happens when you ask an experimental German composer to create a show for you? Vocal group The Hilliard Ensemble reveal all
27 August 2008, The Guardian

International Festival: Radical Views (Review, en)
WITH German composer Heiner Goebbels, the only certainty is that rules will be broken, says Mark Fisher
18 August 2008, Marc Fisher, The Scotsman

Werkkommentar (Material, de)
"Die Hälse werden im Gebirge frei! Es ist ein Wunder, dass wir nicht singen." (Franz Kafka: Der Ausflug ins Gebirge)
1 August 2008, Heiner Goebbels

Commentary (Material, en)
1 August 2008, Heiner Goebbels

Commentaire (Material, fr)
"I went to the house but did not enter"
1 August 2008, Heiner Goebbels

The restless theatrical innovator Heiner Goebbels talks to Ivan Hewett about his strange new show, which has its world premiere (Interview, en)
August 2008, The Telegraph

Dankrede zum Binding Kulturpreis (de)
7 June 2008, Heiner Goebbels

Past Dates

August 2014
Happy Days Festival
Ardhowen Theatre, Enniskillen (Northern Ireland / UK)

March 2014
Opera, Lyon (France)

November 2012
White Light Festival
Rose Theatre, Broadway at 60th Street, New York (USA)

June 2012
Ingmar Bergman Festival
Kungliga Dramatiska Teatern, Stockholm (Sweden)

September 2011
BITEF, Belgrade (Serbia)

June 2011
Prague (Czech Republic)

April 2011
Tongyeong International Music Festival, Tongyeong (Korea)

March 2011
Tongyeong International Music Festival, Tongyeong (Korea)

LG Arts Center, Seoul (Korea)

May 2010
Barbican Centre, London (Great Britain)

April 2010
Barbican Centre, London (Great Britain)

January 2010
De Singel, Antwerp (Belgium)

September 2009
Festival d'Automne, Paris (France)

June 2009
Holland Festival, Amsterdam (Netherlands)

May 2009
Wiener Festwochen, Vienna (Austria)

Théâtre de Caen, Caen (France)

April 2009
Grand Théâtre, Luxembourg (Luxembourg)

Hopkins Center for the Art at Dartmouth College, Dartmouth (USA)

March 2009
Carolina Performing Arts at the University of North Carolina, Chapel Hill (USA)

Théâtre Vidy, Lausanne (Switzerland)

December 2008
Grand Théâtre de Provence, Aix-en-Provence (France)

Teatro Comunale/Stadttheater, Bolzano (Italy)

November 2008
Spielzeit Europa (Berliner Festspiele), Berlin (Germany)

Opera de Lille, Lille (France)

CentroCentro, Madrid (Spain)

October 2008
CentroCentro, Madrid (Spain)

Musica Festival, Strasbourg (France)

Premiere
Musica Festival, Strasbourg (France)

September 2008
schauspielfrankfurt, Frankfurt am Main (Germany)

Premiere
schauspielfrankfurt, Frankfurt am Main (Germany)

August 2008
Edinburgh International Festival, Edinburgh (Great Britain)

World Premiere
Edinburgh International Festival, Edinburgh (Great Britain)

Related Works

The Love Song of J. Alfred Prufrock
with words by T.S.Eliot, 2008
Composition (Miscellaneous)

The Excursion into the Mountains
2008
Composition (Miscellaneous)

Worstward Ho
with words by Samuel Beckett, 2008
Composition (Miscellaneous)